Learn about all the possibilities that Shotgun software can unlock within the design studio workflow. In this session, we will dive into deeper technical applications of Shotgun, and how to configure Shotgun Toolkit to automate routine tasks and customize data hand-offs.

Jason Martinsen is an animation industry professional with 18 years of animation experience at companies like Naughty Dog, Sony, Blue Sky, DNEG, Coalition, Moon Studios, and Reel FX. In this session, he will talk about some animation tips and tricks he’s learned throughout the years. He will gear the discussion toward animation professionals and students, and the topics covered will use terminology unfamiliar to non-animators.

This session is for admins who want to learn more about the steps required to transition to named user. We will cover step-by-step instructions that will help you add users with our four invite workflows, assign users to your subscriptions with import to assign and active directory group sync, update your license type to a named user subscription using automation or self-service by end users, and detail the new sign-in process for your users. Attendees will leave the session ready to transition and set up their new named user subscriptions in the most efficient way possible.

Do you have something (anything) cool that you think other Autodesk® product users would like to buy? The new Autodesk Exchange Apps store makes it very easy to get your work in front of hundreds of thousands of customers. Come to this roundtable to ask questions and share your experiences selling apps on Autodesk Exchange. Members of the team who review and publish your apps are available to answer your questions and give you advice on making your app as successful as possible. Anything that you find useful is probably suitable to publish on Autodesk Exchange, including plug-ins, content libraries, e-books, and video tutorials.

In this class, we will get in-depth with the Sheet Set Manager and discuss and create sheets and sheet sets. We will learn about custom properties and how to use them to store huge amounts of reusable data. We will learn about sheet views and how to use them to make adding our design details to the plans a breeze. We will discuss how we can use the Sheet Set Manager as a lightweight project explorer to navigate all our projects’ design files. We will discuss and learn about labeling our sheets and sheet views. We will learn how to create blocks with predefined attributes that will fill in data from the sheet set automatically. We will learn how to quickly plot or publish individual or multiple sheets with minimal clicks. Lastly, we will learn how to organize our sheets with subsets or with selection sets to track additional stages in the design or construction processes.

To manage the ever-increasing complexity and collaboration in the creation of physical assets for LAIKA's hybrid stop-motion/CG features, a Shotgun-based integrated browser workflow was developed that enables automated resource leveling and scheduling in a centralized system accessible to the entire studio. Highlights include a new custom charting application that integrates with the existing Shotgun infrastructure, as well as the use of Consilium Technology (recently acquired by Autodesk), a new, machine-learning-based, automated resource-leveling system that effectively balances and assigns resources. Together, they turn a time-consuming and error-prone manual leveling process into a fast and automated procedure that generates an accurate, adjustable, easy-to-communicate schedule.

This breakout session takes you to the core of Twinmotion’s real-time rendering capabilities and carries you from the inside out through the basic features up to the great range of visual outputs, enabling you to simply create and effectively communicate the story you need for bringing across your architectural design.

Learn how Southern California Edison uses AutoCAD software-based drafting tools to produce designs in a rapidly changing industry. This class discusses how the Transmission and Distribution groups produce work order packages using the AutoCAD Utility Design tool, resulting in greater consistency, accuracy, standardization, and ability to feed downstream processes in the enterprise. We also discuss how designs are initiated and how engineering tools feed into the final design within a tightly integrated network. All of these processes occur within the context of enterprise-level resource planning, and the downstream systems such as mapping, GIS, and SAP® that consume design data, including design validations, material ordering, scheduling, and construction. This class also examines future design elements in the industry, such as cloud-based computing, 3D renderings, and data point clouds.

How can film and TV production move forward in the age of social distancing? This talk will explore a case study of a workflow under development by a broad team of studio production executives and technology partners. We will describe new capabilities in virtual production tools and system architectures to perform as much work as possible remotely using game engines, cloud services, virtualization, live LED wall projections, live motion-capture sessions, large-scale volumetric location scanning, and workgroup platforms.

Meet with the 3ds Max product team and one special customer guest to learn how we are enhancing workflows in modeling, texturing, asset publishing, and visualization for real-time 3D content production, with a specific focus on e-commerce applications. 3D content on the web is changing the way purchase decisions are made. From interactive models to augmented reality (AR) and virtual reality (VR), there has never been a greater demand from content creators to develop high-quality, photorealistic models on shorter and shorter deadlines. In this session, you will hear from the 3ds Max product team about what we've been up to with modern content-creation tools and asset repurposing workflows. You will also discover what we believe the future looks like and how to join the conversation

In this class we will discuss the use of intelligent and informative design applications and 3D Building Information Modeling (BIM) in a multiple-discipline project environment. These methods enable the rapid creation of project reports, bills of material, and additional supporting project documentation for both design review and procurement support. Discussion topics include the collaboration capabilities and conflicts between AutoCAD P&ID software, AutoCAD Plant 3D software, Revit software, AutoCAD Civil 3D software, and Navisworks project review software. We will also cover referencing models from various design software, export and import methods, and real-time design review. These capabilities are not only beneficial to engineers and designers, but they also provide substantial benefit to the client, the contractors and the construction managers. We will look at the limitations and advantages to working in a multiple-discipline, real-time environment, and we will touch on some of the most effective practices and work-arounds.

In this class, the speaker will share the Fusion 360 free-form modeling tips and tricks that were used to model the Ironman Suit and the Ironman Armor: Mark XLIV—HulkBuster. The process of making these suits was presented at Autodesk University 2017 and 2018. These two models were also posted on the Fusion 360 Gallery: (https://gallery.autodesk.com/projects/110798/ironman-suit), and (https://gallery.autodesk.com/projects/120141/iron-man-armor-mark-xliv—-hulkbuster)

If you have used the Sheet Set Manager effectively and want to take your drawing management to the next level, then this class is for you. We will build upon the basics of sheet sets and move into more-advanced topics of the Sheet Set Manager. The Sheet Set Manager in AutoCAD software is your ultimate document management tool. In this advanced lab, we will create a standard template using fields and link those fields to populate project data throughout the entire design package. We will organize all the sheets, add views with labels, and publish the entire set to a PDF, DWF, or plotter output when complete. At the end of this class, you will be able to take your existing company title blocks and create a template to use on all projects, increasing your productivity and efficiency on all current and future design projects. The time is now to advance your skills in the lab with the Sheet Set Manager. Lab dataset is available at https://autode.sk/3eXIN6i

In this lab, you’ll learn how to create 3D geometry using AutoCAD software’s Solid, Surface, and Mesh tools. You’ll also learn how to create 3D assets for Revit families, as well as for Civil 3D and InfraWorks models, Inventor software, and game engines. You’ll edit the 3D objects using various editing tools, and export the 3D objects to various software. This class is designed to expand your AutoCAD 3D modeling knowledge.

The Inventor software Content Center is a powerful tool that enables centralized storage and management of standard parts within a company, as well as providing a springboard to efficient design tools such as Frame Generator, Bolted Connections, and Tube and Pipe. However, to make the tool as flexible as possible, the Content Center uses highly technical names for components (ANSI, and so on). Perhaps you like to label your pan head machine screws as “ANSI.B18.6.3…” but that doesn’t work for many others. Additionally, while the out-of-the-box Content Center is extensive, it does not contain any of our specific components. So, whether you decide to use a vendor’s or your own part numbers, or you want to utilize existing data or add your own, this is the class for you. In this course, we’ll cover how to build custom Content Center structure, how to modify existing data or publish our own data, and how to simplify the end user’s experience and ensure data serves downstream processes. In every way, we will make the Content Center our own!

High-quality architectural presentations are more than just good-looking renders; your images need to tell a compelling story. This course will show you how to use 3ds Max software to create cinema-quality presentations and expertly showcase your architectural projects. The course will explain the basics of composition and visual storytelling from a filmmaker’s perspective, including such topics as storyboarding, shot selection, shot sequencing, and screen motion. We’ll then dive into camera techniques and workflow in 3ds Max, including camera selection, animation, rigging, and rendering, following through to postproduction and final output. Every building tells a story—learn how to tell the best story for your project.

Let’s take a look at how we can use 3ds Max software in photo shoots for advertising campaigns. We used 3ds Max to help The Sunday Times produce campaigns for Kia Motors and Grundig. 3ds Max helped us meet publication deadlines that wouldn't be possible with photography. When sourcing and constructing sets was unfeasible, 3ds Max stepped in. Using interactive rendering alongside a photographer, we placed influencers in their dream kitchens. After putting four influencers into virtual sets, we conducted a car shoot with a specific shoot location but without the car (the Kia e-Niro release was imminent and the car was not in the country). In this talk, you will learn how we used computer-generated imagery (CGI) to complement photography, and how we used interactive rendering for instant feedback, saving hundreds of hours in production by using 3ds Max.

Do you spend 10-20 minutes or more configuring settings every time you need to print or publish (PDF, DWF) a file? Are you familiar with AutoCAD software's Batch Plot command but it's just not working for you? In this session, we'll learn the best ways to manage the printing and publishing of our drawings.

This session will discuss and demonstrate how to capture and recreate a real-world scene using Autodesk’s ReCap and 3ds MAX. This technique can be used for Architecture, Engineering & Construction uses as well as for Media & Entertainment. It contains three sections: Part I: Intro from 3ds MAX team on new features available and “coming soon” to support such work. Part II: 3D Artist, Stefan Ivanov, will show a scene recreated from a private chateau in France, provide high-level step by step on how he created it, as well as tips on how to get the best results. Part III: Team Intel will talk about the best technology tools to drive this workload. Visit Stefan’s YouTube https://www.youtube.com/channel/UCu6t-gfH1vLbeFUwFGi9a3w for further technical details. Visit https://makeanything.autodesk.com/3DSMAX/public-roadmap-copy-25B1-910Q7.html to learn what’s coming up for 3ds MAX. Learn more about Intel’s workstation at https://www.intel.com/content/www/us/en/products/devices-systems/workstations.html.

This class will present a fast, easy-to-use workflow for creating great-looking textures using Maya software and Substance Painter. This hands-on class has the indie artist and 3D generalist in mind, instead of the big company with an army of specialized artists. Substance Painter has become the industry standard tool for creating textures for games and films, but it's a very complex and daunting software, and its integration with Maya is not always straightforward. This class will cut to the chase and show you how to prepare your model in Maya, set your materials, export, procedurally create the texture in Substance Painter, and then—finally—bring it all back to Maya and render beautifully with Arnold.